Tuesday, November 21, 2006

Something Appropriately Baroque on this Cold and Raining Tuesday

Tuesday again, and I’ve settled into my new job at my new cube farm. The end of training has bequeathed me a measure of autonomy that should last, at the very least, until my first cataclysmic fuck up. Which, with God’s help, will be far off, as this job is heinously easy. In the meantime, I read.

Though my college, Col. Giddens, has graciously loaned me Pullman’s His Dark Materials I am a horrible friend when it comes to reading recommendations. I hope this will keep me from coating the dust jackets of other people’s books with my asinine endorsement blurbs. Then this tendency to fly off and read any old goddamn thing I chose will most likely be used in the service of Justice. In the meantime all it’s good for is adding height to my Must Read pile.

The Pile shows no signs of shrinking, as I’m currently re-reading A.A. Attanasio’s Arthurian saga, staring from the beginning with 1996’s The Dragon and the Unicorn.

Previous to this I tried (honestly I tried) to wade through Malory’s Le Morte d’ Arthur, having no wish to even contemplate Tennyson’s Idylls of the King…but 1468 is a long way from 2006, and the English language has (to borrow Stephen King’s phrase) moved on . I don’t care how much of a philistine admitting this will make me: man can only take so many Chaucerisms at once. And with all the closeness of Sir Malory’s to our own, you’d think we’d be able to “modernize” his text in a way that preserves some modicum of style, in the manner of, say, some of the better Bibles I’ve read around the local college reading rooms. They may not have the authority of the good old King James my grandmother gave me, but they can beat it like the family mule for a good turn of phrase.

There’s plenty of style, and turns of phrase, crammed into Attanasio’s two thousand-plus page re-telling of the Once and Future King’s life…and considering he isn’t even born until four hundred pages into it one is tempted to criticize Attanasio for both stylish and substantive glut…if, that is, one is a heathen devil with no sense of beauty in his or her soul. I’d not have a word of these books cut. Better to see them released as a single, massive tomb, the way Lord of the Rings was intended to be. Sometimes I think all great epics should be monstrous giants…until I stop to consider the power this would give already too-indulgent writers the world over. Then I shutter.

Afterward, I read, not from any great love of epic fantasy or chivalrous romance. Attanasio, bless his Hawaiian heart, chose to go down neither of those well-traveled paths. Instead he hacked a third one through uncharted, genre bending lands, and I doubt it worked as well as either he, or his publisher hoped…though in all honesty I could care less. I have the books, and tell God thank ya for ‘em. They’ve done exactly what I need them to do for me.

I picked them out of a Hastings Bookstore shelf at the age of thirteen. I got them then, but feared that, a decade later, they would fall short of my memory. That’s yet to happen. If anything, I feel as woefully inadequate now as I did thin, faced with Attanasio’s prose stylings. The man writes beautifully, as if he’s swallowed a page of the Thesaurus every morning with his coffee and cornflakes. My mother and I both agree it has to be because he lives in Hawaii, where all is green and good, save the twin poles of sea and the mountain, and the artificial ones laid out by man.

Not only does Attanasio re-animate the overly-archetyped, near-entirely abstracted characters of this myth (Arthur; his father, Uther; his mother, Ygrane, Queen of the Celts, whom nobody ever remembers…and Merlin, ‘natch) he creates a universe of supporting cast members by adding equal doses of historical reality, electromagnetic physics, and new age metaphysics…which is really no more than old myth in new clothes, anyway.

Even the metaphysical is given a physical basis. Gods, demons, the titular unicorn, all are beings of sentient plasma, held together not by magic so much as will alone…and electromagnetic physics. They live above us puny mortals, eternal, everlasting, inside the magnetosphere thrown off by our planet’s poles. To them it appears as a multi-tiered Heaven. We on earth call it the World Tree, and it is as real as the force that pulls our feet down to the floor every morning, and brings our hand down on the Snooze button. It is spread across the Earth, just like Jesus said, and men do not see it.

But more than this melding of physical and spiritual, which struck me as both obvious and stupendously liberating at the age of thirteen (one of those ideas that’s so good you kick yourself for not independently arriving at it), it is the idea that opens the book, lifted whole from Asian mythology and dressed in modern, pseudo-scientific skin, which still rivets me:

There is only one Dragon. It lives inside the earth and is as large as the entire planet. Its mind thrives within the magnetic field thrown off by the core. Its blood circulates with the slow convections of magma beneath the rocky crust that serves as its perdurable hide. Slowly molting with the slidings of tectonic plates, the Dragon renews itself over eons: mountain ranges fin from its back like thorny scales replenished every hundred million years as maritime trenches subsume its old flesh.


My thanks to the author.


Tag: Personal: Reading: The Dragon and the Unicorn:

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