Sunday, February 28, 2010

Health Scare #3: Limbaugh, Beck, Ingraham Laugh at Toothless Woman, Flash Everyone With Evil Underbelly of America

Thanks to David Brock's penance, Media Matters, even those us who consciously chose not to amerce ourselves in the Right-wing noise machine get to learn (as if we needed a refresher) just how evil a nation the United States really is.

During her turn at health care summit, Rep. Louise Slaughter (D-New York) talked about plenty of stuff. But because our media is full of sensationalist bullshiters, the only comment of her's with any legs turned out to be the story of a constituent so poor she "wore her dead sister's teeth."

The store grew gams thanks, in part, to the noise machine, a prime example of political symbiosis that keeps this country deadlocked into a uneven tug-of-war between centrist and rightwing crazies. A so-called "liberal" tells a horrible story in public. So-called "conservative" voices respond to it with ridicule, vitriol, and spite. And we can already here liberal voices rising in a chorus of indignation (MediaMatters holding the baton) at the Rightwing mouthpiece's callous indifference to the suffering of their fellow Americans. As if something like this:

LIMBAUGH: You know I'm getting so many people -- this Louise Slaughter comment on the dentures? I'm getting so many people -- this is big. I mean, that gets a one-time mention for a laugh, but there are people out there that think this is huge because it's so stupid. I mean, for example, well, what's wrong with using a dead person's teeth? Aren't the Democrats big into recycling? Save the planet? And so what? So if you don't have any teeth, so what? What's applesauce for? Isn't that why they make applesauce?


should come as a surprise. "Let them eat cake," Marie Antoinette shouted. Well, no, she didn't, but never mind. Evil people have shouted it ever since, whenever they wanted to display their complete contempt for the rest of the human race.

While discussing the probably results of privatizing Medicare (sick, old people tossed out of hospitals, into the streets, to join the legions of crazy people already tossed out in '80s), Rep. Slaughter declares, "We're better people than that." Well, I'm sorry, Congresswoman, but we're really not. Have you seen Glen Beck's ratings? I have. More people watch his rambling civics-lesson-tirades in one night than visited these pages last year. Surely all of them are sincere, red-blooded Americans, hoping to keep pace with the endless treadmill that is the News. And maybe they like their current events served up in silky, semi-sweet Beckness. Who am I to begrudge them?

Such was my thinking. Until I heard this:

On his February 26 radio show, Glenn Beck played an audio clip of Slaughter's account then said, "I am wearing George Washington's dentures right now. I'm wearing his teeth right now." He later added, "I just like wearing dead people's teeth. But in America -- I'm sorry, I didn't know that that was -- I've read the Constitution before. I didn't see that you had a right to teeth." Echoing Limbaugh's remarks the previous day, Beck stated, "The environmentalists should be all over Slaughter. 'How dare you say that?' My gosh, they're just recycling. They're just reusing."
You can hear Beck and his "sidekick" break out into frat-boy giggles when Rep. Slaughter says, "she wore her dead sister's teeth." Now I want to be clear, here: I respect Glenn Beck's right to laugh at the pain and suffering of Rep. Slaughter's constituents. All I ask in return is that he, and everyone else, respect my right to fantasize about his parent company's (owner's) destruction at the hands of an angry mob. That makes me giggle.

After all, Glenn Beck's program is taped at the News Corporation office studios, 1211 Avenue of the Americas (Sixth Avenue to the rest of us) New York, New York, right down the street from MSNBC's 30 Rockefeller Plaza.

So imagine, if you will, Keith Olbermann and Rachel Maddow leading a torch-wielding procession of correspondents, line producers, key grips, camera operators, runners, ADs, journalists, bloggers, and talking-heads through the night streets of Manhattan, singing "All Hell Can't Stop Us," or "I Wanna Free Miss Liberty" or some other fine selection from the IWW's Little Red Songbook. They storm News Corps' offices, overwhelming security. Rent-a-cops shit themselves in fear as red-eyed, foam-mouthed, Brooks Brothers-outfitted lefties, fed up with years of taking conservative shit, break down the revolving doors and pour in. Shattered glass twinkles in their frosted, TV hairdos.

Enmass they rush raving up the narrow stairwells, pouring out like a latte-fueled wave into the live studios. Sound men battle with boom mikes for bo staffs. Camera men's faces are driven into teleprompters by rebellious runners. Studio and viewing audiences keep their seats, shocked into rigidity by the sight of liberals actually doing something for a change. Other than bitch on endlessly about how dirty, evil and mean are those ol' conservative media whores, dag nab them.

Bill O'Reily, dragged from behind his desk, exposes his rubber-ducky emblazoned, $2000 silk boxers to a stunned and horrified world. He declares the whole "fucking thing sucks" as he's carried out to the streets on the shoulders of Chris Matthews Show interns, who proceed to tar, feather, and set Bill marching south, down Sixth Avenue, with instructions not to stop until he reaches the Village.

Meanwhile, back upstairs, Maddow stomps Laura Ingraham into bloodied unconsciousness with a pair of Manolo Blahnik's alligator boots, while Beck looks on, enraptured. Not by the girl fight. No, our man is caught by the visionary's paralysis. Like the audience itself, he is enrapture by the sight of his own worst fears made flesh. In a last ditch moment of egoism sure to make his spiritual grandmother, Ayn, proud, Beck has just enough time to stand and declare, "See? I WAS RIGHT!" before an Ed Schultz boot-to-the-naughty-bits reduces him to a simpering ball of well-dressed muck...

Whew. Sorry. Blacked out there a minute. And now I've got old union songs stuck in my head. What was it we were talking about?

Oh, yeah. Right. Fantasy.

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